On Sunday, April 28th THE WORKSHOP THEATER presented at The Society of Ethical Culture located at 2 W. 64th Street where there was a bountiful and impressive display of acting prowess and passion as Charles E Gerber led the way with his troupe of players in:
“For Thy Sweet Love Rememb’red”
Part II: Sunday, April 28th at 1:30 pm
…an offering of Scenes, Sonnets, and Songs of LOVE.
Featuring:
Ademide Akintilo,* Zoe Anastassiou,* Arthur Aulisi,* Ethan Cadoff,* Dimitri Carter,* Tom Luke DiCostanzo, Letty Ferrer,* Charles E. Gerber,* JaQwan J. Kelly, Erik Kochenberger, Mary Lauren,* Orlea Mattson, Jovan Tyler-Graham, and John Concannon (PSM)* NOTE: asterisks after the names of members of AEA (Actors’ Equity Association) indicate membership
Charles directed, produced, acted and composed selections for this outstanding and annual event celebrating the works of William Shakespeare.
It featured Mary Lauren’s beautiful singing in addition to her brilliant renditions of Regan, Portia to JaQwan J. Kelly’s Brutus, and Hermione to Ethan Cadoff’s incisive yet maddened Leontes.
Zoe Anastassiou’s impassioned Calpurnia to Arthur Aulisi’s Caesar was a superb example of concentrated spousal protection. This highly accomplished player later rendered as humorous a Sonnet 138 as the Bard ever could have conjured.
Dimitri Carter displayed remarkable lucidity, ” worthy cogitations”, as Cassius to Kelly’s reluctant to kill, yet determined to protect the Republic, Brutus.
Letty Ferrer once more rendered a definitive Nurse to Orlea Mattson’s first appearance of Juliet, along with Lauren’s delightful Lady Capulet .
Ms. Mattson was a heartbreaking Cordelia earlier when banished by the incalculably misconstruing King Lear of Gerber. Aulisi’s Kent in that first scene from Lear was a plea for sanity in a realm of Lear’s boundless vanity.
Ademide Akintilo’s Polixines was a study of vocal prowess in perfect control as was his and ALL members of the Ensemble when rendering their choice of Sonnets.
Jovan Tyler-Graham showed considerable promise as Hamlet as did Tom DiCostanzo’s Horatio in relating the improbable events of the ghost sightings.
And Erik Kochenberger provided as touchingly amusing a Benedick being gulled by his friends for love of Beatrice as beheld in memory. And this same player spoke Berowne’s excerpt from Love’s Labor’s Lost, first edited by the late, great actor, Ken Welsh originally for his and Ray Leslee’s Off Broadway hit, from decades ago: ” Stand Up Shakespeare”.
Mr. Leslee generously permitted the employment of his music to Sonnet 29: ” When In Disgrace”, to frame these proceedings, along with the recording of the wonderful Thomas Young singing this show’s theme song that was later sung in duet by Lauren and Gerber.
The penultimate line from that Sonnet made the title of this show crystal clear in this paean to Love:
” For Thy Sweet Love Rememb’red such wealth brings,” with the ultimate line being:
“That then I scorn to change my state with kings.”
They made it look easy and as words fell trippingly off the tongue I assure you the heightened language was no easy task. Bravo to all ! A special hey dee ho as Charles’s exuberant performance buoyed us all!
Catch it next year !
Photos lovingly provided by Jamie Lorenzo
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